Mission Statement

Founded in 1997, the Rocky Mountain Society of Botanical Artists (RMSBA), a 501(c)(3) non-profit organization, is the first regional chapter of the American Society of Botanical Artists (ASBA).

The Society is dedicated to promoting public awareness of contemporary botanical art, honoring its traditions and furthering its development. It is open to all, artists and art patrons alike. We believe that by joining together, we foster increased awareness and appreciation for this beautiful art form. It is our goal to educate the public about botanical art, support the artist creating these works, and support awareness of plants place in the world, and their environmental challenges with a special focus on plants in peril.

These artworks are realistic portrayals of plants, their flowers, fruiting bodies, seeds, roots and pollinators. Each piece is scientifically accurate, insuring all aspects are true reflections of the plant portrayed. Modern elements of of light, depth, composition and increased 3-dimensionality grow the tradition. The resulting renderings are exquisitely detailed, able to illustrate far more detail than found in photographs.

Work is presented in all 2-dimensional media, including ink, watercolor, gouache, scratchboard, acrylics, oils, graphite, carbon and colored pencil, excluding photos and computer generated images. Sculpture that meets scientific accuracy is welcome.

We are in an era of resurgence of interest in botanial art. These artists produce images that seamlessly blend old traditions and new, scientfic facts with contemporary creative arts, resulting in works that bloom gracefully and endlessly.



Sunday, March 4, 2012

A Drawing a Day 4 and a Drawing Challenge

An apple a day, watercolor on cold-pressed WC Paper, Cathy Cranmer

As you can see, a drawing a day keeps the blahs away, and this little gem is in full color. There're a lot of ways to "draw." You can use outline, also called contour, you can use grisaille, also known as massing in where you create form with tonal values, or you can use full color, working quickly, not fussing, getting busy! 
This Week's Challenge
Sometimes, we get really tight when we start to draw. We believe we have to be "in control" and yet we know in our heart of hearts, we're pretty much not. That worries us! However, your eyes know how to talk to your brain, and your head knows how to talk to your hand. Here's a neat exercise to get out of your own way, that I have christened the "two-points tango."
Select a graphite pencil of medium tonal value. Select a colored pencil (yes, ANY color you want!) of about the same tonal value. Select a subject. Now, draw your subject using both points at the same time, like this:

Here's what happens. You're conscious mind will be so busy worrying about managing the 2 points that your hand, eyes and subconscious mind will just get on with the business of drawing your subject. With a little time, if you were drawing a neat little squash, you might end up with something like this:
Squash Study using Two-Point Tango method, Libby Kyer 

That's pretty squash-like, with very little brain damage! Now, select two more colored pencils - an analogous green in a lighter tone, and a brown or gray worked well for this specimen. Spend some time fleshing out the specimen. Work on form a bit, highlights, more details, corrections and additions. Don't erase - remember, our motto is "No regrets!" We learn from every stroke we make! You'll might wind up with something like this, a little further into the process.

Squash Study building right on top of the sketch, Libby Kyer

And now, you're drawing! Color has slipped in. Details are crawling all over this thing. And form has ramped up. Could you continue? Absolutely. Why not give this method of loosening up, letting go and getting it right, a try! Send me your results, and when they're posted, we'll all learn from your shared efforts.

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