Brain Pickings is a website that is impossible not to love! It talks about books, art, humanity, science, pretty much the gamut of life. In their most recent post, they provided this moving contemplation, which as botanical artists seems especially appropriate. You may want to add them to your personal Favorites, and you'll find them on our BlogSpot in the right hand column.
1. THE OLDEST LIVING THINGS IN THE WORLD
"Our overblown intellectual
faculties seem to be telling us both that we are eternal and that we are
not," philosopher Stephen Cave observed in his
poignant meditation on our mortality
paradox And yet we continue to long for the secrets of that
ever-elusive eternity.
For nearly a decade,
Brooklyn-based artist, photographer, and Guggenheim Fellow Rachel Sussman has been traveling the globe to discover and
document its oldest organisms – living things over 2,000 years of age. Her
breathtaking photographs and illuminating essays are now collected in The Oldest Living Things in the World
(public library | IndieBound) –
beautiful and powerful work at the intersection of fine art, science, and
philosophy, spanning seven continents and exploring issues of deep time,
permanence and impermanence, and the interconnectedness of life.
Llareta | 3,000 years | Atacama
Desert, Chile
Baby llareta
With an artist's gift for "aesthetic
force" and a scientist's rigorous respect for truth, Sussman
straddles a multitude of worlds as she travels across space and time to unearth
Earth's greatest stories of resilience, stories of tragedy and triumph, past
and future, but above all stories that humble our human lives, which seem like
the blink of a cosmic eye against the timescales of these ancient organisms – organisms
that have unflinchingly witnessed all of our own tragedies and triumphs, our
wars and our revolutions, our holocausts and our renaissances, and have
remained anchored to existence more firmly than we can ever hope to be. And yet
a great many of these species are on the verge of extinction, in no small part
due to human activity, raising the question of how our seemingly ephemeral
presence in the ecosystem can have such deep and long-term impact on organisms
far older and far more naturally resilient than us.
Pando (quick aspen) | 80,000 years
| Fish Lake, Utah, USA
Alerce (Patagonian cypress) | 2,200
years | Patagonia, Chile
Above all, however, the project
raises questions that aren't so much scientific or artistic as profoundly
human: What is the meaning of human life if it comes and goes before a patch of
moss has reached the end of infancy? How do our petty daily stresses measure up
against a struggle for survival stretching back millennia? Who would we be if
we relinquished our arrogant conviction that we are Earth's biological crown
jewel?
Dead Huon pine | 10,500 years |
Mount Read, Tasmania; Royal Tasmanian Botanical Garden, Hobart
Sussman offers no answers but
invites us, instead, to contemplate, consider, and explore on our own – not as
creatures hopelessly different from and dwarfed by the organisms she profiles,
but as fellow beings in an intricately entwined mesh of life. What emerges is a
beautiful breakage of our illusion of
separateness and a deep appreciation for the binds that pull us and
these remarkable organisms in an eternal dance – our only real gateway to
immortality.
Bristlecone pine | 5,068 years |
White Mountains, California, US
Welwitschia Mirabilis | 2,000
years| Namib-Naukluft Desert, Namibia
Stromatolites | 2,000-3,000 years |
Carbla Station, Western Australia
Interwoven with Sussman's
photographs and essays, brimming with equal parts passion and precision, are
the stories of her adventures – and misadventures – as she trekked the world in
search of her ancient subjects. From a broken arm in remote Sri Lanka to a
heart-wrenching breakup to a well-timed sip of whisky at polar
explorer Shackleton's grave, her personal stories imbue the universality
of the deeper issues she explores with an inviting dose of humanity – a gentle
reminder that life, for us as much as for those ancient organisms, is often
about withstanding the uncontrollable, unpredictable, and unwelcome curveballs
the universe throws our way, and that resilience comes from the dignity and
humility of that withstanding.
Antarctic moss | 5,500 years |
Elephant Island, South Georgia
See more, including Sussman's TED
talk, here,
then see my conversation
with the artist about the deeper conceptual and philosophical ideas
behind her project.
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